Facebook Group: Historical Fictions Research Network
19th-20th February 2020
Location: provisionally, Resource for London, Kings Cross, London, UK.
At this stage we cannot be sure if we will be able to meet face to face. If we do, there will be provision for virtual partcipation. As venue affects our pricing structure, tickets will not be released until September, when we hope to have made a decision. Presenters must pay by January 1st; attendees by February 15th
The best way to stay in touch and to receive the call for papers, is by signing up for the newsletter.
How communities construct their own pasts; how communities challenge the narratives that have been foisted upon them or are used to oppress and discriminate; how communities challenge their own consensual understandings of their past.
Paper proposals are due 1st September 2021: they should consist of a title, and up to 250 word abstract.
Please send to: firstname.lastname@example.org email@example.com
Our Keynote Speakers
The George Padmore Institute. is an archive, educational resource and research centre housing materials relating to the black community of Caribbean, African and Asian descent in Britain and continental Europe.
Amy Tooth Murphy: a Trustee of the Oral History Society and a Co-Founder and Managing Editor of the blog ‘Notches: (re)marks on the history of sexuality‘. Dr. Murphy will be talking about her project on the oral history of the Butch Community.
We welcome paper proposals from Archaeology, Architecture, Literature, Media, Art History, Cartography, Geography, History, Musicology, Reception Studies, Linguistics, Museum Studies, Media Studies, Politics, Re-enactment, Larping, Gaming, Transformative Works, Gender, Race, Queer studies and others.
We welcome paper proposals across historical periods, with ambitious, high-quality, inter-disciplinary approaches and new methodologies that will support research into larger trends and which will lead to more theoretically informed understandings of the mode across historical periods, cultures and languages.
Historical fictions can be understood as an expanded mode of historiography. Scholars in literary, visual, historical and museum/re-creation studies have long been interested in the construction of the fictive past, understanding it as a locus for ideological expression. However, this is a key moment for the study of historical fictions as critical recognition of these texts and their convergence with lines of theory is expanding into new areas such as the philosophy of history, narratology, popular literature, historical narratives of national and cultural identity, and cross-disciplinary approaches to narrative constructions of the past.
Historical fictions measure the gap between the pasts we are permitted to know and those we wish to know: the interaction of the meaning-making narrative drive with the narrative-resistant nature of the past. They constitute a powerful discursive system for the production of cognitive and ideological representations of identity, agency, and social function, and for the negotiation of conceptual relationships and charged tensions between the complexity of societies in time and the teleology of lived experience. The licences of fiction, especially in mass culture, define a space of thought in which the pursuit of narrative forms of meaning is permitted to slip the chains of sanctioned historical truths to explore the deep desires and dreams that lie beneath all constructions of the past.
NB: ALTHOUGH WE WELCOME PEOPLE FROM CREATIVE WRITING WHO ADDRESS THE ISSUES OF THE CONFERENCE, WE DO NOT INCLUDE CREATIVE WRITING AS PRACTICE. CONTACT C.BRAYFIELD@BATHSPA.AC.UK FOR DETAILS OF THEIR FANTASTIC CREATIVE WRITING CONFERENCES.