Keynotes:
Christine Riding: The National Maritime Museum
Virginia Preston: Hearts of Oak: Telling Stories about the Royal Navy
Michael Twitty: Dining From A Haunted Plate: Food, Memory, Writing and Creativity from the African American South
Speakers and Papers
Anisimovich, Antonina
Representations of history and the post-1989 transition in the new Bulgarian cinema
Bemben, Alicja
Historical knowledge and objectivity from the perspective of historical fiction
Brown, Tanya
A Dead Man in Deptford? The Death and Afterlife of Christopher Marlowe in Historical Fiction
Butterworth Alex
The Lives of Augustus: designing an interactive form of narrative history
Choi, Tina
History Rewritten and Ethical Fictions in Dickens’s A Tale of Two Cities
De Groot, Jerome
Beach time: experimentation and the historical novel
Dunn, Richard
Where Longitude Lies: Creating heroes in the face of adversity
Edwards, Brownen
Sleeping with the enemy: SOE female agents and German officers in historical fiction
Fedorova, Lioudmila
New Gulag Narratives as Historical Fiction
Felipe, Leo Felipe
Art History as Makeup (or Anachronism and dystopia in Derek Jarman’s historical painting)
Felippe, Eduardo Ferraz
The lure of nostalgia: the use of the past, irony and future in Latin America historical fictions
Flothow, Dorothea
Historical Crime Fiction as a Format of Popular Historiography
Grub, Valentina
The Evolution of Embroidery and Femininity in Medieval Films
Horáková, Erin
David(s) Copperfield
Jayawickrama, Sharanya
Stories of Stones and Ink: Trauma and the Crafting of History in Tan Twan Eng’s Garden of Evening Mists
Kavanagh, Ciarán
“I broke from my moorings and hence stand on nothing.” Historical Dislocation and Estrangement in Philip. K. Dick’s The Man in the High Castle
Keen, Tony and Juliette Harrison
‘It’s this wretched country’: Screen portrayals of Roman Britain
Kelly, Christobel
Classical Motif in Australia: the Inverted Gaze
Leister, Wiebke
Japanese Noh Theatre as a Strategy in Contemporary Art and Performance
Lien, Sigrid
Colonial Past and Forbidden Love: Historical fictions spurred by an Unknown Painting
Lübbren, Nina
Ahistorical Fictions: German Sculpture from Democracy to Dictatorship, 1919-1939
Macdonald, Kate
Exploring the relationships between speculative, counter-factual, and historical fictions
Macrury, Laura Bunt
Indigenous Women between Archive and Prose: Reading 19th Century Peruvian Fiction as Historical Testament
Mangena, Tendai
Features and Functions of Zimbabwean Historical Fiction written in English
Manning Toby
Alarm Call: John le Carre’s Call for the Dead and Communism
Ramsay, R.H.L.M.
Historical Fiction in the Architecture Design Studio
Schofield, Mary Anne
War Bond Narratives of WWII: A Lesson for Today
Schroter, Caroline Viktoria
The fictional dimensions of cinematic slave narratives
Slugan, Mario
The Fictional Status of Historical Reenactments
Akira Suwa
Weaving Queer Desire in the Tapestry of Texts in Sarah Waters’s The Little Stranger
Van Dam, Dany
Can We Borrow Your Past? Reading Foreign-Language Neo-Victorian Fiction
Vrecko, Asta
Story of Survival – Children in Concentration Camps in Contemporary Graphics Novels
Zadro, Sanja
(Re)examining tradition: Arthur J. Evans in Bosnia and Herzegovina at the time of the mutiny against the Ottoman rule
Historical Fictions Research Network 