volume 5 issue 1 (2024)
- Stephanie Russo: Introduction, JFH, 5:1, 1-2, 2024
- Nicola Gilmour: Boabdil and the Fall of Granada: Historical Novels as a Narrative Template for Modern Spain’s National Identity, JFH, 5:1, 3-25, 2024
- Lucy Arnold: ‘They buried him at Worcester’: Heritage sites, historical fiction and Hilary Mantel’s Wolf Hall, JFH, 5:1, 26-55, 2024
- Hamish Williams: The Collapse of Minoan Crete in Mary Renault’s The King Must Die: Creative Sensemaking in Understanding History, JFH, 5:1, 56-83, 2024
volume 4 issue 1 (2022)
- Tony Keen: Living in Changing Times, JFH, 4:1, 1-3
- Gabriel Duckels: Popular music and AIDS Crisis Revisitation in Young Adult novels, JFH, 4:1, 4-24
- Kevin Farrell: ‘If you listen carefully now, you will hear’: Spectral music in A Brief History of Seven Killings, JFH, 4:1, 25-40
- Kristin Franseen: ‘Everything you’ve heard is true’: Resonating musicological anecdotes in crime fiction about Antonio Salieri, JFH, 4:1, 41-60
- Nodhar Hammami Ben Fradj: L’écriture féminine in Morrison’s The Bluest Eye: Questioning the social and literary standards through the use of colours, sounds, and shapes, JFH, 4:1, 61-80
- Eric Lehman: Paper music: Reimagining Beck’s Song Reader as a work of historical fiction, JFH, 4:1, 81-104
- Tomer Nechushtan: Keeping time: Song and dance as phenomenological experiences of historicity in the film musical, JFH, 4:1, 105-124
Volume 3 Issue 1 (2020)
- Frontmatter, JFH, 3:1, i-iii
- Juliette Harrisson: ‘Historical Fictions’: When the World Changes, JFH, 3:1, 1-5
- Julie Depriester: John Fowles’s ‘Manchester baby’: forms of radicalism in A Maggot, JFH, 3:1, 6-23
- Erica Tortolani: Troubling Portrayals: Benjamin Christensen’s Häxan (1922), Documentary Form, and the Question of Histor(iography), JFH, 3:1, 24-41
Volume 2 Issue 2 (2019)
- Frontmatter, JFH, 2:2, i-iii
- Lisa Maurice: From Elitism to Democratisation: A Half-Century of Hercules in Children’s Literature, JFH, 2:2, 81-101
- Catherine Baker: ‘I am the voice of the past that will always be’: the Eurovision Song Contest as historical fiction, JFH, 2:2, 102-125
- Ciaran O’Neill and Emma Donogue: ‘The cage of my moment’: a conversation with Emma Donoghue about history and fiction, JFH, 2:2, 126-180
Volume 2 issue 1 (2019)
- Frontmatter, JFH, 2:1, i-iii
- Lisa Bennett and Kim Wilkins: ‘Strange companies’: The Northman in popular historical fiction, JFH, 2:1, 1-17
- Marianne McLeod Gilchrist: Bleedthrough: The Two-Way Traffic between Popular Historiography and Fiction, JFH, 2:1, 18-63
- Juliette Harrison: Fantastical History: Dreams in The Roman Mysteries, JFH, 2:1, 45-64
- Bryony D Stocker: Historical Fiction: Towards A Definition, JHF 2:1, 2019, 65-80
Volume 1 issue 2 (2017)
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Frontmatter: JHF 1:2, 2017, i—iii
- Jeffrey Brassard: Slavophilism, nostalgia and the curse of Western ideas: Reflections on Russia’s past in Alexander Proshkin’s 2006 adaptation of Doctor Zhivago, JHF 1:2, 2017, 111—129
- Julius Redzinski: Making the fiction visible: Even the Rain and cinematic and historiographical discourses about history, JHF 1:2, 2017, 131—147
- Mareike Katharina Schumacher: The efoto-project: Narrative construction of the past and semi-automated data curation, JHF 1:2, 2017, 149—173
Volume 1 Issue 1 (2017)
- Frontmatter: JHF 1:1, 2017, i—iii
- Johanna Huthmacher: Victims, heroes, perpetrators: German art reception and its re-construction of National Socialist persecution, JHF 1:1, 2017, 1—24
- Ruth Knezevich: Curating the past: Margins and materiality in Sydney Owenson, Lady Morgan’s The Wild Irish Girl, JHF 1:1, 2017, 25—44
- Tarik Ahmed Elseewi: Contentious history in “Egyptian” television: The case of Malek Farouq JHF 1:1, 2017, 45—64
The Journal of Historical Fictions is an Open Access, double-blind peer-reviewed scholarly journal. All articles are published online under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (ISSN 2514-2089). Please find all information on submissions here.
Editor: Stephanie Russo, Macquarie University
Historical Fictions Research Network 