Speakers and Papers 2017

Anisimovich, Antonina
Representations of history and the post-1989 transition in the new Bulgarian cinema

Bemben, Alicja
Historical knowledge and objectivity from the perspective of historical fiction

Brown, Tanya
A Dead Man in Deptford? The Death and Afterlife of Christopher Marlowe in Historical Fiction

Butterworth Alex
The Lives of Augustus: designing an interactive form of narrative history

Choi, Tina
History Rewritten and Ethical Fictions in Dickens’s A Tale of Two Cities

De Groot, Jerome
Beach time: experimentation and the historical novel

Dunn, Richard
Where Longitude Lies: Creating heroes in the face of adversity

Edwards, Brownen
Sleeping with the enemy: SOE female agents and German officers in historical fiction

Fedorova, Lioudmila
New Gulag Narratives as Historical Fiction

Felipe, Leo Felipe
Art History as Makeup (or Anachronism and dystopia in Derek Jarman’s historical painting)

Felippe, Eduardo Ferraz
The lure of nostalgia: the use of the past, irony and future in Latin America historical fictions

Flothow, Dorothea
Historical Crime Fiction as a Format of Popular Historiography

Grub, Valentina
The Evolution of Embroidery and Femininity in Medieval Films

Horáková, Erin
David(s) Copperfield

Jayawickrama, Sharanya
Stories of Stones and Ink: Trauma and the Crafting of History in Tan Twan Eng’s Garden of Evening Mists 

Kavanagh, Ciarán
“I broke from my moorings and hence stand on nothing.” Historical Dislocation and Estrangement in Philip. K. Dick’s The Man in the High Castle

Keen, Tony and Juliette Harrison
‘It’s this wretched country’: Screen portrayals of Roman Britain

Kelly, Christobel
Classical Motif in Australia: the Inverted Gaze

Leister, Wiebke
Japanese Noh Theatre as a Strategy in Contemporary Art and Performance

Lien, Sigrid
Colonial Past and Forbidden Love: Historical fictions spurred by an Unknown Painting

Lübbren, Nina
Ahistorical Fictions: German Sculpture from Democracy to Dictatorship, 1919-1939

Macdonald, Kate
Exploring the relationships between speculative, counter-factual, and historical fictions

Macrury, Laura Bunt
Indigenous Women between Archive and Prose: Reading 19th Century Peruvian Fiction as Historical Testament

Mangena, Tendai
Features and Functions of Zimbabwean Historical Fiction written in English

Manning Toby
Alarm Call: John le Carre’s Call for the Dead and Communism

Ramsay, R.H.L.M.
Historical Fiction in the Architecture Design Studio

Schofield, Mary Anne
War Bond Narratives of WWII: A Lesson for Today

Schroter, Caroline Viktoria
The fictional dimensions of cinematic slave narratives

Slugan, Mario
The Fictional Status of Historical Reenactments

Akira Suwa
Weaving Queer Desire in the Tapestry of Texts in Sarah Waters’s The Little Stranger

Van Dam, Dany
Can We Borrow Your Past? Reading Foreign-Language Neo-Victorian Fiction

Vrecko, Asta
Story of Survival – Children in Concentration Camps in Contemporary Graphics Novels

Zadro, Sanja
(Re)examining tradition: Arthur J. Evans in Bosnia and Herzegovina at the time of the mutiny against the Ottoman rule